Recommended, New
RECORD No.62
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*Orders are scheduled to ship from late February, on a rolling basis.
“I’m so happy to have my camera!” or “I’m really grateful that photography exists!” – these are things that I sometimes say to myself, and while the idea is not new, I recently feel this more than I did before. Now you may suggest that it’s an age thing, and you do have a point there, but it’s a bit different. In fact, I have these things in mind every time I grab my camera and go out. When I walk around with my camera day by day, there is a delicate sense of pleasure that walks along with me as I copy and connect sceneries of streets and alleys through the photographs that I take. After all, it’s a photographer’s life that I’m living.
– Excerpt from the afterword by Daido Moriyama
*Record by Daido Moriyama has previously been sold with hand-signed copies for all issues. From No. 62 onward, only customers who place an early pre-order until February 15th (JST) will receive hand-signed copies.
Please note that for back issues as well, once signed copies are sold out, they will be offered unsigned.
- Size
- 280 x 210 mm
- Binding
- Softcover
- Pages
- 104
- Publication Date
- 2026.2.14
- Publisher
- Akio Nagasawa Publishing
Daido MORIYAMA
森山大道
Born 1938 in Osaka. After working as an assistant for photographers Takeji Iwamiya and Eikoh Hosoe, he went independent in 1964. He has been publishing his works in photography magazines among others, and received a New Artist Award from the Japan Photo Critics Association for Japan: A Photo Theater in 1967. Between 1968 and ’70 he was involved in the photo fanzine Provoke, and his style of grainy, high-contrast images that came to be referred to as “are, bure, boke” (grainy, blurry, out-of-focus) made an impact on the realm of photography. Solo shows at New York’s Metropolitan Museum of Art and the Fondation Cartier pour l'Art Contemporain in Paris solidified Moriyama’s worldwide reputation, and in 2012, he became the first Japanese to be awarded in the category of Lifetime Achievement at the 28th Annual Infinity Awards hosted by the International Center of Photography (ICP) in New York. The “William Klein + Daido Moriyama” exhibition together with William Klein at London’s Tate Modern in 2012-13 was a showdown of two immensely popular photographers that took the world by storm.
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