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Daido MORIYAMA

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Limited Editions of 500 / With Signed Original Photograph

At some point in the mist that was the 1990s, Daido Moriyama was asked by a curator to provide a self-portrait for use in an exhibition. Finding that he had nothing suitable, Moriyama reached for some lipstick and mascara - and although he found that being a makeup artist wasn’t among his best talents - created this suite of self-portraits that are in turn humorous, touching, sad, and extremely odd.
– From the publisher's website

Book Size
190 x 147mm
Pages
20 Pages
Printing
Hardcover
Publication Date
2015
Publisher
Nazraeli Press

Daido MORIYAMA

森山大道

Born 1938 in Osaka. After working as an assistant for photographers Takeji Iwamiya and Eikoh Hosoe, he went independent in 1964. He has been publishing his works in photography magazines among others, and received a New Artist Award from the Japan Photo Critics Association for Japan: A Photo Theater in 1967. Between 1968 and ’70 he was involved in the photo fanzine Provoke, and his style of grainy, high-contrast images that came to be referred to as “are, bure, boke” (grainy, blurry, out-of-focus) made an impact on the realm of photography. Solo shows at New York’s Metropolitan Museum of Art and the Fondation Cartier pour l'Art Contemporain in Paris solidified Moriyama’s worldwide reputation, and in 2012, he became the first Japanese to be awarded in the category of Lifetime Achievement at the 28th Annual Infinity Awards hosted by the International Center of Photography (ICP) in New York. The “William Klein + Daido Moriyama” exhibition together with William Klein at London’s Tate Modern in 2012-13 was a showdown of two immensely popular photographers that took the world by storm.

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