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RECORD No.64
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Signed for early pre-orders only
Early pre-order exclusive:
Available with a hand-signed copy by Daido Moriyama for orders placed by December 31.
Orders will be shipped sequentially starting in mid-January 2027.
Yesterday I went to see a photo exhibition at the “zushi art gallery,” where I’m also showing some of my own works. At the venue I met Takehiko Nakafuji, one of the other exhibiting photographers, for the first time in quite a while. He’s a fun and cheerful kind of guy who used to be a student at a photo academy, and as I’m a big fan of his work, I had a wonderful time with him.
So as today is daydreaming time, I remember that Tadanori Yokoo is putting together a book of works by two artists, and ask myself what’s the status of that project right now.
It won’t stop raining, and it’s gradually getting dark outside. I see some faint lights appear in the distance.
No matter what will happen tomorrow, I’m considering having my daughter Yuko drive me to Yokohama so I can walk around the Kannai neighborhood a bit and take some snaps.
– Excerpt from the afterword by Daido Moriyama
*Record by Daido Moriyama has previously been sold with hand-signed copies. From No. 62 onward, only customers who place an early pre-order will receive hand-signed copies.
Please note that for back issues as well, once signed copies are sold out, they will be offered unsigned.
- Size
- 280 x 210 mm
- Binding
- Softcover
- Pages
- 96 pages
- Publication Date
- December, 2026
- Publisher
- Akio Nagasawa Publishing
Daido MORIYAMA
森山大道
Born 1938 in Osaka. After working as an assistant for photographers Takeji Iwamiya and Eikoh Hosoe, he went independent in 1964. He has been publishing his works in photography magazines among others, and received a New Artist Award from the Japan Photo Critics Association for Japan: A Photo Theater in 1967. Between 1968 and ’70 he was involved in the photo fanzine Provoke, and his style of grainy, high-contrast images that came to be referred to as “are, bure, boke” (grainy, blurry, out-of-focus) made an impact on the realm of photography. Solo shows at New York’s Metropolitan Museum of Art and the Fondation Cartier pour l'Art Contemporain in Paris solidified Moriyama’s worldwide reputation, and in 2012, he became the first Japanese to be awarded in the category of Lifetime Achievement at the 28th Annual Infinity Awards hosted by the International Center of Photography (ICP) in New York. The “William Klein + Daido Moriyama” exhibition together with William Klein at London’s Tate Modern in 2012-13 was a showdown of two immensely popular photographers that took the world by storm.
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