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Daido Moriyama: Stray Dog — The Rediscovered Slides
A rare visual record, rediscovered after 25 years.
In 1999, Daido Moriyama: Stray Dog was held at the San Francisco Museum of Modern Art, a groundbreaking exhibition that later toured the U.S. and Europe. It marked a pivotal moment in Moriyama’s career, launching him onto the international stage. As part of the show, 140 of Moriyama’s own hand-selected works were transferred onto slide film and presented as a slideshow.
Now, a quarter century later, the original film has been unearthed—prompting the creation of this long-awaited publication.
The book faithfully reproduces all 140 images from the original slideshow. Its cover features Moriyama’s iconic Stray Dog, Misawa in two versions: a standard print (LEFT) and its reverse (RIGHT), reflecting the duality that emerged as the photo spread through the world after it was taken in 1971.
Also included are essays by four internationally renowned curators who share their personal encounters with Moriyama’s work. Each story is followed by a rare commentary from Moriyama himself, reflecting on the past through their words. (All texts in English.)
Special Japanese Edition Bonus: Includes a separate booklet with full Japanese translations of all texts.
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Edited & Designed by: Satoshi Machiguchi
Contributors:
Sandra S. Phillips (SFMOMA)
Hervé Chandès (Fondation Cartier)
Simon Baker (MEP – Maison Européenne de la Photographie)
Thyago Nogueira (Instituto Moreira Salles)
In cooperation with: Daido Moriyama Photo Foundation
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Two cover options:
LEFT (dog facing left)
RIGHT (dog facing right)
Interior content is the same in both versions.
- Size
- 144 x 210mm
- Binding
- Hardcover
- Pages
- 168
- Images
- 140
- Publication Date
- March, 2025
- Language
- English, Japanese
- Publisher
- bookshop M

Daido MORIYAMA
森山大道
Born 1938 in Osaka. After working as an assistant for photographers Takeji Iwamiya and Eikoh Hosoe, he went independent in 1964. He has been publishing his works in photography magazines among others, and received a New Artist Award from the Japan Photo Critics Association for Japan: A Photo Theater in 1967. Between 1968 and ’70 he was involved in the photo fanzine Provoke, and his style of grainy, high-contrast images that came to be referred to as “are, bure, boke” (grainy, blurry, out-of-focus) made an impact on the realm of photography. Solo shows at New York’s Metropolitan Museum of Art and the Fondation Cartier pour l'Art Contemporain in Paris solidified Moriyama’s worldwide reputation, and in 2012, he became the first Japanese to be awarded in the category of Lifetime Achievement at the 28th Annual Infinity Awards hosted by the International Center of Photography (ICP) in New York. The “William Klein + Daido Moriyama” exhibition together with William Klein at London’s Tate Modern in 2012-13 was a showdown of two immensely popular photographers that took the world by storm.
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