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RECORD No.60
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▼Early Bird Discount
Special price for a limited period of time: JPY 2,640 (tax inc.)
The above benefit applies to pre-orders made before June 30(Japan time).
Estimated shipping date: Early July, 2025
(...) Most of the images that I have been capturing in my photographs, have appeared in the journal “Record” over the twenty years from its launch up to this latest issue, No. 60. In other words, rather than a “Record,” one may actually understand it as my “ID” proper. In addition to the photos shot here in Japan, there are quite a few that I took in other countries, and with 120-180 pages each, each volume of this journal is very much a personal record and memento of my own life and memories.
Me, I will again be clicking away with my camera tomorrow, and the day after that. After all, photography is such a wonderful thing.
From afterwords by Daido Moriyama (a part)
- Size
- 280 x 210 mm
- Binding
- Softcover
- Pages
- 120
- Publication Date
- June 30, 2025
- Publisher
- Akio Nagasawa Publishing
Daido MORIYAMA
森山大道
Born 1938 in Osaka. After working as an assistant for photographers Takeji Iwamiya and Eikoh Hosoe, he went independent in 1964. He has been publishing his works in photography magazines among others, and received a New Artist Award from the Japan Photo Critics Association for Japan: A Photo Theater in 1967. Between 1968 and ’70 he was involved in the photo fanzine Provoke, and his style of grainy, high-contrast images that came to be referred to as “are, bure, boke” (grainy, blurry, out-of-focus) made an impact on the realm of photography. Solo shows at New York’s Metropolitan Museum of Art and the Fondation Cartier pour l'Art Contemporain in Paris solidified Moriyama’s worldwide reputation, and in 2012, he became the first Japanese to be awarded in the category of Lifetime Achievement at the 28th Annual Infinity Awards hosted by the International Center of Photography (ICP) in New York. The “William Klein + Daido Moriyama” exhibition together with William Klein at London’s Tate Modern in 2012-13 was a showdown of two immensely popular photographers that took the world by storm.
Publications of Daido MORIYAMA
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TOKYO POLYTECHNIC UNIVERSITY Shadai Gallery Daido Moriyama Archive 1960 − 1982
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Prints of Daido MORIYAMA
