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Amour Défendu (Forbidden Love)
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Limited Editions of 800 / Numbered
A photobook born from the collaborative project between Lin Zhipeng aka No.223 and curator/producer Anna Mistal.
It features 75 color photographs taken in Paris in 2023.
Transcending the stereotypical image of the city known as the “capital of love,” Amour Défendu reveals tenderness and freedom hidden in its quiet streets and among its people.
Continuing Lin’s long-standing exploration of love and freedom, the subjects in these photographs embody a “forbidden love” that affirms their own existence—quietly, yet with courage.
In addition to Lin Zhipeng’s photographs and words, the book includes a three-way conversation with Anna Mistal and Akio Nagasawa.
*This is a pre-order item. Shipments will begin sequentially from the end of November.
Artist Statement
"Amour Defendu (Forbidden Love)" explores the love expressed by people of different and nonconforming genders, challenging the traditional concept of “public nudity” through a kind of “liberation.”
LOVE is a subject that I have focused on for a long time, but this is the first time I have taken a large number of photographs of nudes in a public urban space. I have shot in cities before, and occasionally in public areas, but this is the first time I have undertaken an urban project on such a large scale. I used the kinds of Asian models I was familiar with, since we have a similar cultural background. Together we put aside the conservatism and tradition we Asians have to search for the kind of freedom that is born out of pleasure.
It was a very challenging shoot. Different from the previous project, "Grand Amour", where I was shooting in the completely safe indoor atmosphere of a hotel. This time I photographed nudes in public: on the street, in parks, in bars, on rooftops, etc. I felt anxious when shooting since I didn’t want to disturb passersby, but I was excited about these challenges. Therefore, in a very tight and urgent atmosphere, I not only had to forget these pressures and make the model feel comfortable, but also let the work take on a free expression, which was very exciting.
– Lin Zhipeng aka No.223 (from press release in 2023)
- Book Size
- 265 x 200 mm
- Pages
- 124
- Printing
- Hardcover
- Publication Date
- Nov.2025
- Publisher
- Akio Nagasawa Publishing
Lin Zhipeng (林志鹏) aka No.223
リン・チーペン(林志鹏)aka No.223
Lin Zhipeng (aka No.223) born in Guangdong in 1979, Lin Zhipeng is a photographer and freelance writer based in Beijing. Created in 2003, his blog “North Latitude 23” where he published everyday pictures accompanied by short texts received million views and made him famous among the web community. Presented for ten years in group exhibitions in China and abroad, Lin’s works have also been the object of several solo shows both nationally and internationally (Walther Collection Ulm; De Sarthe Gallery Beijing; Stieglitz19 Gallery Antwerp; M97 Gallery Shanghai; Delaware Contemporary Museum, etc). He has published photography books in Taiwan, France, Canada and Japan.
Lin is a leading figure of new Chinese photography emerging in the last decade, popularizing his work originally via social media and other online platforms as well as his self-published zines. Lin’s work has come to reflect and define a certain zeitgeist of the post-80’s and 90’s generation of non-mainstream Chinese youth. Amidst an otherwise conservative and often closed traditional society and cultural background, Lin’s photographs act as a collective not-so-private diary of a young generation wishing to escape the pressures from a high-stakes society and play within its limits. Faded flowers tangled with flesh tones, myriad patterns mixing with an emotional ambiguity of both love and chaos, fantasy and eroticism. 223’s works are saturated with a soft sense of carefreeness, a playful innocence, and a certain optimism amidst a hedonist lifestyle going against the expected pleasures and entrapments of the middleclass dream.
Naming himself “No.223” after the police character in Wong Kar-Wai’s movie Chungking Express, Lin also adopts a sense of the Hong Kong director’s poetic and dreamy atmosphere as well as the loneliness and mystery of many of his film’s characters. Lin Zhipeng offers his point of view on an alternative youth spirit and culture in an often conservatively Chinese cultural context. His spontaneous photographs portray a young generation who indulge in love and life, oscillating between jubilation and deep melancholy, playful sexuality and often just the simple human need to be loved in an otherwise indifferent and ever-changing society.

























