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RECORD No.20

Daido MORIYAMA

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Now that summer had come to the three dull buddies, real men as they were, they braced themselves up and decided to go on a summer trip.
"I wanna see alligators," one of the men said.
"I'd like to go to a queer kind of place," said the second.
"I think I would prefer to see something nasty," the third one said.
Well in that case, the eastern side of the lzu peninsula, up north near the mainland, is definitely the place to go.
Alligators one can see at the Atagawa Tropical & Alligator Garden (Banana Wani-en),
the Ayashii Museum (Ayashii Shonen Shojo Hakubutsukan) in Ito is pretty queer,
and there's no nastier place around than the Atami Adult Museum (Atami Hihoukan).
The three simpletons boarded a bright red Mazda Axela- wherever that came from - and embarked on their overnight trip to eastern lzu.
It was such a fun time they had on their summer excursion!

– from the afterword by Daido Moriyama

Book Size
278 x 220 mm
Pages
52 pages
Printing
softcover
Publication Date
2011
Publisher
Akio Nagasawa Publishing

Daido MORIYAMA

森山大道

Born 1938 in Osaka. After working as an assistant for photographers Takeji Iwamiya and Eikoh Hosoe, he went independent in 1964. He has been publishing his works in photography magazines among others, and received a New Artist Award from the Japan Photo Critics Association for Japan: A Photo Theater in 1967. Between 1968 and ’70 he was involved in the photo fanzine Provoke, and his style of grainy, high-contrast images that came to be referred to as “are, bure, boke” (grainy, blurry, out-of-focus) made an impact on the realm of photography. Solo shows at New York’s Metropolitan Museum of Art and the Fondation Cartier pour l'Art Contemporain in Paris solidified Moriyama’s worldwide reputation, and in 2012, he became the first Japanese to be awarded in the category of Lifetime Achievement at the 28th Annual Infinity Awards hosted by the International Center of Photography (ICP) in New York. The “William Klein + Daido Moriyama” exhibition together with William Klein at London’s Tate Modern in 2012-13 was a showdown of two immensely popular photographers that took the world by storm.

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