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FUSHI KADEN/First edition

Issei SUDA

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Part of Asahi Sonorama 27 volumes. Sudas most sought after book one of the classic Japanese titles of the 70s

Brief essay by Akira Hasegawa (text in English and Japanese). Asahi Sonorama, Japan, 1979. Unpaged. Small quarto. First edition. Hardbound in photo-illustration dust jacket. Black-and-white reproductions.

Book Size
235×190mm×12 mm
Pages
100 pages
Language
Japanese
Printing
hardcover
Publication Date
1978
Publisher
Asahi Sonorama

Issei SUDA

須田一政

Born 1940 in Tokyo. Graduated from the Tokyo College of Photography in 1962. Was hired as house photographer for Shuji Terayama’s experimental theater troupe Tenjo Sajiki in ’67, before commencing his work as a freelance photographer in ‘71. A Newcomer's Award from the Photographic Society of Japan for Fushi Kaden catapulted him into the limelight in 1976. He further received the Photographic Society of Japan’s Annual Award for the exhibition of the “Monogusa Syui” series in 1983, followed in ’85 by the 1st Domestic Photography Award at Higashikawa for “Nichijo no danpen”. In 1997, his book Human Memory received several awards including the Domon Ken Prize. In 2013, his large-scale retrospective exhibition “Nagi no hira – fragments of calm” was shown at the Tokyo Metropolitan Museum of Photography. His works capturing moments between reality and non-reality have lately earned a high reputation also outside Japan. Main photo collections include Fushi Kaden (’78), Waga Tokyo 100 (’79), Akai hana – scarlet bloom (2000), Fushi Kaden (definitive edition, 2012), Anonymous Men and Women (’13) and Rei (’15)

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